Interview: Jia Zhang-ke Fights Back With “A Touch of Sin”
On sneaking the incisive, socially conscious meditation on violence past Chinese censors.
Jacob Kornbluth on the Class That Led to the Economic Class
Dissection Doc “Inequality for All”
On how Robert Reich's lectures gave shape to the doc about the disappearing middle class.
Fantastic Fest ’13 Review: Jim Taihuttu’s
Powerful Crime Thriller “Wolf” is a Beast
An aspiring MMA fighter isn't the only thing that has kick in this riveting flick.
Interview: Logan Huffman, Zeke and Simon Hawkins on Making Themselves at Home in “We Gotta Get Out of This Place”
The fraternal director duo talk about making their Southern-fried potboiler extra crispy.
Fantastic Fest ’13 Review: Mira’s Decadent “Grand Piano” Strikes the Perfect Pitch
Elijah Wood and John Cusack face off from afar in this preposterously fun thriller.
Fantastic Fest ’13 Review: Clif Prowse & Derek Lee’s Affecting Thriller “Afflicted” Sinks In
A clever spin on a classic horror story gives new life to the found-footage genre.
Interview: David M. Rosenthal Hits the Mark With “A Single Shot”
On working with Sam Rockwell on the neo-noir and what the two will do next.
Review: “Thanks for Sharing” Just Can’t Keep It Up
The writer of "Keeping the Faith" tackles sex addiction in this uneven comedy.
Interview: Joe Begos, Josh Ethier and Graham Skipper’s Superhuman Effort Pays Off With “Almost Human”
On the scrappy sci-fi slasher flick that took Toronto by storm.
Review: A Rough Road to Happiness in Matthew Weiner’s Deeply Satisfying “Are You Here”
The "Mad Men" creator's wildly ambitious first film takes the unwieldy form of life itself.
